30.3.11

Pinknruby - Garden & The Vast Astonishment

Oh my god. In the music of Pinknruby, I have found true, surrealist beauty. It is one of my favorite new finds, and I am positive you will love it too.

Pinknruby, a duo comprising Slovenian Michaela Repina and Brit Paul Bradbury, began working together in 1998, intending to write dance music with strong melodies. The ensuing garage, drum'n'bass and chill-out tracks generated some interest. Early in 2002, Pinknruby decided to try something entirely different. Carrying folk guitar backgrounds, Repina and Bradbury opted to return to simple acoustic melodies. Their preceding tenure in dance music, however, led to acoustic songs with a dance approach, which led to the use of loops, etc. Their music, warm, acoustic, and performed using guitars and vocals by both members, combines folk with elements from the Mediterranean and eastern Europe. When performing, the musical pair likes to dress colorfully in accordance with the occassion, which adds to the appeal of their shows. Pinknruby's lyrics, in Slovenian, usually present short stories or philosophical comments.

Pinknruby attracted the attention of French underground label, Prikosnovénie in 2002 and released their debut album, The Vast Astonishment with them in 2003. Since then, they have released two more critically acclaimed albums, Garden (2005) and Queen Kale (2008).

 
2005; 10 tracks
 
Garden is Pinknruby's second album, and my favorite. Mihaela Repina's soft, high Slovenian-singing voice combines with the purring of a cat in seamless intimacy. I have grown a deep love for this album, which provides a great collection of musical genres and styles - pure acoustic folk to jazzy, up-beat tracks, often accompanied by a violin. Mihaela Repina's voice is utterly gorgeous, reminiscent of Kate Bush and perhaps even Liz Frasier.

"Mihaela Repina and Paul Bradbury make light, mysterious and mostly acoustic music that draws from Eastern European folk and Brazilian samba, with a dash of jazz. Both sing in Slovenian, she in a dusky voice that recalls Lou Rhodes from Lamb, he in a light tenor that reminds one of Ben Watt. The music dances on the edge of being too precious and twee, one song features a cat purring. But the harmonies are solid, the instrumentation inventive, harps, psaltery and cello are added to mix, and Repina's alto is truly bewitching. On such tracks as 'Nader Margh' and 'White Lady Mirror', her dark voice and the soothing, glimmering instrumentation create an indescribable world of dark and light."

Download + Track 1
 
 
2003; 11 tracks
 
The Vast Astonishment is Pinknruby's debut album (with Prikosnovénie). ((I like it but will provide more thoughts after more listens.))
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Jesse Sykes & the Sweet Hereafter - Reckless Burning


2002; 9 tracks


Jesse Sykes & the Sweet Hereafter is Jesse Sykes, a Seattle-based singer-songwriter, and Phil Wandscher on guitar.

Reckless Burning is an exquisite mix of acoustic ballads, and country-like tunes. It is really the most beautiful thing I've heard in so long, her voice... I cannot recommend this album enough, to anyone.

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29.3.11

Jack or Jive - Kenka


2004; 14 tracks


This is the cover artwork of the re-issue from 2004, which contains 5 bonus tracks. The original was released in 1997, with 9 tracks and this artwork.

Jack or Jive is a Japanese duo consisting of husband and wife Chako and Matoro Hattori. I had never heard of them before until yesterday, in fact. I found a picture of them somewhere and thought it might be a good idea to try out their music. It turns out that the two have created quite an amount of albums, so I chose one at random. Kenka, the one I chose, was a gem of raw ethereality and dark ambience.

"Mellow piano based music with some strange Liz Frazer type vocals, with a few samples and percussion thrown in, creating an eerie soundscape where dark ambient and neo-classical meet."

The band's site offers a view on the album from the opposite side of the globe:

"When the earthquake struck Hanshin region, Hiroshima has also shaken.
The spooky quake lingered deep inside my body.
But the day started as if nothing has happened.
Along my way to the school in the car, I heard that many was crushed to death
in their houses by the earth quake early in the morning.

I was surprised that somebody died in that quake.
In afternoon in the lunch room,I heard teacher talking agitatedly that
"About 50 people has been killed".I watched the news on hurry.
What I saw there was a Kobe city completely destroyed.
I thought this is a catastrophe. But it was only the beginning of the tragedy.

There is some sort of the music that tries to make you cry with eerie sound and
weepy lyrics. Most of them doesn't have any soul in them.
The face of the creator cannot be found in that sort of music.
I rather see the foppish grin of the arrogant creator. They make me puke.

A person like me, wandering in Hiroshima maybe should not say this,
but I had some bad feeling because the theme was the theme.
But JACK OR JIVE made it, I felt their presence in the album.

"Kenka" hurts.
"Kenka" is painful.

It feels like being shaken off icily.

When the earth quake struck, I was glad that it was not on Hiroshima.
I feel ashamed of it. I was also glad that JACK OR JIVE were safe.
I am ashamed of myself that I can't think about the earth quake more than that.

Behind the "Kenka", I see JACK OR JIVE and somehow beautiful city of Kobe.

-written by Hideaki Yoshimura"

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