p.s. the spoken intro sounds a lot like lady gaga. :s
Showing posts with label female vocals. Show all posts
Showing posts with label female vocals. Show all posts
6.7.12
2NE1 - I Love You
p.s. the spoken intro sounds a lot like lady gaga. :s
22.6.12
Googoosh - Googoosh
This release is a compilation of tracks that survived the destructive Iranian revolution of 1979, in which many of her pre-1980 songs and performances were hidden or banned, and sometimes even destroyed.
11.6.12
Iva Bittová & Vladimír Václavek - Bílé Inferno
Bílé Inferno combines the talents of Czech musicians Iva Bittová, an avant-garde violinist, singer, and composer, and Vladimír Václavek, a singer/songwriter and instrumentalist. They perform an interesting mix of darkwave, contemporary classical, traditional folk, classical classical, and experimental or avant-garde jazz. Bittová has a voice that is at once bell-like and as strong and warm as a thousand suns, singing fascinating fairytale words. All in all, you will not be disappointed with this.
01 Vzpomínka
02 Uspávanka
03 Sirka V Louži
04 Sto Let
05 Kdoule
06 Zelený Víneček
07 Moucha
08 Moře
09 Starý Mlýn
10 Je Tma
11 Churý Churůj
12 Zvon
13 Huljet
10.6.12
Scrawl - Velvet Hammer
do you wanna take a swing?
17.3.12
The Ecstasy of Saint Theresa - Pigment EP
This is too goddamn good for me not to post.
The Ecstasy of Saint Theresa was a Czech shoegaze band formed in 1990 who released a number of albums until a few years ago, but I've heard that their latest stuff is pretty horrible. Disregarding that, this is one of the most perfect EPs in existence.
"Honeyrain" is heaven.
Labels:
czech,
electronic,
female vocals,
noise,
shoegaze
28.2.12
Naked on the Vague - Sad Sun
2007; 5 tracks
This cover you see here is what happens when you try to extract more information from less information, for better or for worse.
Naked on the Vague is a mysterious Australian two-piece band who make mostly minimalist noisy new wave music with the occasional art rock elements. The singer is also a girl with a really low voice, so I'd say this is very similar to HTRK.
Sad Sun was one of Naked on the Vague's first releases, and in the past 4 years they have released a number of other EPs and full-lengths (two EPs came out last year). Theirs is a ritualistic and depressive yet sexy and rhythmic noise, and for those reasons I was hooked.
Teenage Jesus and the Jerks - Pink
I'm having a lot of trouble believing this came out in 1979. Nothing comes even close to the sheer corrosiveness of their sound. I am really in love, and I don't care how many times I say that.
Teenage Jesus and the Jerks was a post-punk/new wave/experimental noise band from New York active during the last few years of the 70s, founded by James Chance and Lydia Lunch.
Pink, or the band's self-titled EP, combines material from two of their preceding EPs: Orphans (1978), and Baby Doll (1979) with two tracks from a live recording of the band in the fall of 1977 (now to be found on the release Live At Max's Kansas City 1977).
It's all very, very short. Their entire discography is a little over 18 minutes. I like it that way, however. Succinct brutality is the sweetest.
1.2.12
Pain Teens - Destroy Me, Lover
For the first post of February, here is Destroy Me, Lover, one of the final full-lengths recorded by the Houston, Texas experimental noise rock band Pain Teens. Pain Teens formed in 1985 by Bliss Blood and Scott Ayers, and Bliss sings on nearly every track. She reminds me of Jarboe (Swans), but for some reason I feel like she would do well singing for Electric Wizard or something. She also has some Lady Gaga moments (that's not a bad thing!) Her menacing low female voice that I love so much - that's what makes this album, for me. Not to mention the incredibly heavy and distorted guitars, and just everything. Um.
I really, really feel like Destroy Me, Lover is what I've been searching for for a long time. I love this album on such a level that I didn't even know I could even feel something this strong. Well, yes I am being quite serious.
13.12.11
L7 - Smell the Magic
12.12.11
26.11.11
Quasi - The Sword of God
18.11.11
Madredeus - Um Amor Infinito
Madredeus is a Portugese band who combines traditional Portugese music with modern folk and neo-classical. They have been making music since the late 80s, but this is one of their newer albums. Un Amor Infinito actually reminds me a lot of neo-folk music I used to be really into, like Empyrium, Vàli, Forseti, etc. The primary instruments used are the classical guitar, cello, and keyboard synthesizer. I've had this album for a while, but I thought I'd share it because I love it.
Blue Daisy & Anneka - Raindrops EP
This is really nice. Blue Daisy is Kwesi Darko, an electronic musician based in the UK, and Anneka is a vocalist/instrumentalist who's worked with bass/electronica producers such as Falty DL, Starkey, Ital Tek, Vex'd and Blue Daisy. Raindrops is their first collaboration.
10.10.11
f(x) - Pinocchio
"빙그르 (Sweet Witches)" is my favorite track!
6.10.11
Cortex - Tropeau Bleu
Smooth and jazzy music from 70's France, gilded with glittering female vocals that are shockingly high-pitched. I am personally obsessed with the song "Chanson d'un jour d'hiver," it is sooo pretty! Tropeau Bleu is a very nice and wintry album, so I'll just leave it at that.
27.9.11
Azalia Snail - Burnt Sienna
Azalia Snail is an American multi-instrumentalist, singer, and songwriter. Or at least, that's what Wikipedia says. She has quite an assortment of albums and other releases, but Burnt Sienna is her second full-length. It's really folky and dreamy and nostalgic, like stepping through time into your childhood bedroom to watch yourself sleep. Dream-catchers hanging from the ceiling, a jar full of bugs on the dresser, drawings on the wall, your favorite blanket and stuffed animals cluttered around your bed. This is, for lack of better words, a very pleasant album.
20.8.11
15.8.11
Excuse 17 - Such Friends Are Dangerous
"It's a disservice to remember this band solely as the practice run at Sleater-Kinney, but then again, S-K were so monumental, so earth-shaking that it can hardly end up any other way. Listening to this again for the first time in ten or so years, I'm amazed at how well-formed, confident, and bone-cuttingly visceral they were. Of the two pre-Sleater-Kinney bands, (we'll get to Corin's Heavens to Betsy tomorrow), Excuse 17 sound the most like what's to come, with their dual, tangled, razor-wire guitar attack, back and forth vocals, gut-wrenching screams, and sense of moral urgency. Like much of the work Carrie's associated with, it's an album of catharsis. Whether on the bouncy standout track "Watchmaker" (a dig at music journalists and scenesters), the painful "This is Not Your Wedding Song," or the biting "The Drop Dead Look," their combination of pure punk fury and tight musicianship is some pretty righteous shit, no matter what came next."
7.8.11
Jale - Dreamcake
Jale was, at first, an all-female indie rock group from Halifax, Nova Scotia. Their name was derived from the first letters of the four initial members of the band - Jennifer Pierce, Alyson MacLeod, Laura Stein, Eve Hartling. This was the band's first album, and they went on to release another full-length and an EP. Although it sometimes gets a little slow, Dreamcake is an innocuous indie/pop rock record, very catchy and pretty. :3
Here's the opener to the album, "Not Happy," which happens to be one of the really awesome tracks (I also like "Emma" and "3 Days").
29.7.11
Dot Allison - Afterglow
Dot Allison, or Dorothy Elliot Allison, is a Scottish singer/songwriter, and former lead singer of the trip-hop/electronic group One Dove. Afterglow is her first album as a solo artist.
"This album finds her breaking free of One Dove's sound, beginning her free-form expression within her chosen musical genres. But she does bold new things with the techno/choir/pop hybrid on this album. The lonely piano that begins 'Alpha Female,' for example; the sensual Eurodance grind of 'Mo' Pop;' the absolutely lovely 'Did I Imagine You?;' the Eastern-flavoured keyboard riff that permeates 'Close Your Eyes' -- every song is a gem, infused with Allison's trademark multitracked vocal magic and her daring arrangements. Allison's on-record charisma is phenomenal but despite her ice-goddess looks, her voice can convey a real warmth that makes these songs not just a collection of machinery and mechanized beats, but organic lifeforms with a beating heart."
This may take some getting used to among some, but through the haze Afterglow shows itself to be a charmingly oneiric album. (Yes, I did just come across that word only yesterday, but it is exactly the word I was looking for.)
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